Renee & Irish Greg’s Pop Up turns two and we celebrate with our Third Annual Hardly Strictly Bluegrass Pre-Party at the Haight Street Art Center, Thursday October 4th starring Howlin’ Rain and the Easy Leaves.
We are charging a nominal fee of $8 to stop the rash of no-shows which have been a problem at our once free events. Money raised will go to non-profits Blue Bear School of Music and the Haight Street Art Center.
Purchasing a ticket entitles you to a complimentary adult beverage courtesy of our sponsors 21st Amendment Brewery and Whetstone Wine Cellars. An original event poster by Marq Spusta will be available to purchase with the artist on-site to embellish it. These posters are collectors items and VERY special indeed.
If you are a patron of ours on Patreon at the $5 level there is no need to purchase a ticket. Simply RSVP here. Patrons get to bring a guest at no extra cost. Become a Patron!
Enjoy the amazing rock poster art exhibit “Family Devalues” at our happy-hour from 6-7pm before we take the party upstairs for performances and interviews with Bay Area bands Howlin’ Rain and the Easy Leaves.
Oakland, California’s Howlin Rain recently released The Alligator Bride, their fifth LP of swampy, ragged, unapologetic rock ’n roll. Led by Ethan Miller, it’s their first release on Silver Current Records, the artist-run label owned by Miller, and gleefully indebted to classic rock formations like the Grateful Dead’s Europe ‘72 and Free’s masterpiece of atmospheric, minimalist blues, 1969’s Fire and Water. “The guiding principle for The Alligator Bride was to create ‘Neal Cassady Rock,’” says Miller. “Which is to say, high energy, good-times adventure music, driving the hippie bus, shirtless and stoned, up for four days straight, and extremely fuzzy around the edges.”
The Easy Leaves are proud ambassadors of California Country & Western music; who over the course of 2 full length albums and 2 EPs, under the guidance of Merle Haggard’s music, and countless other barroom heroes, have released their own unique collection of poetry for the common man.
The pairing of these two acts is reminiscent of the late 60’s and early 70’s in Austin, TX, essentially what Willie Nelson was creating there, as well as many shows at famed venue, the Armadillo World Headquarters – Where the outlaws, outcasts, hippies, honky tonkers, freaks, and forward thinkers converged in harmony for a plethora of music happenings; you could see Willie Nelson, Doug Sahm, Waylon Jennings and other Country troubadours playing shows alongside folks like The Grateful Dead.